#4 vinnifantastic
Vincent and I were neighbors at first! We didn’t really talk much beyond the usual neighborly greetings. I knew he did comics, and at the time, I was still dealing in paintings. I’ve lost count of how many times I stumbled up my stairs late at night—inevitably a bit tipsy—only to catch a glimpse of him through the typical Parisian courtyard window of the building across from mine, hunched over his drawing board, working away at 2 or 3 in the morning.
For a long time, my apartment had this "Rear Window" Hitchcockian vibe—watching life unfold across the courtyard, each window framing its own little story. There was this funny thing where I’d turn my light on at the very last second to find the keyhole—which, depending on my state, could take a while. From his perspective, he’d suddenly see a silhouette light up out of nowhere, and it would make him jump. It always cracked me up.
Anyway, at some point, I invited him to my first exhibition, and he showed up spontaneously, with his legendary enthusiasm. That’s one of his greatest qualities—he genuinely loves people who create and take risks. Partly because he’s a relentless worker himself, but also because he’s got this childlike excitement for discovering new things. Especially if they’re cool, right?
He’s illustrated some classic comics, but for the past few years, he’s been wearing down his colored pencils sketching curves, hips, and other well-rounded assets. He has no equal when it comes to capturing languid, sultry poses, and if you know him well enough, you’ll notice he goes through different "phases"—big breasts, wide hips, or long androgynous legs—depending on his impulses at the time.
So yeah, I can only urge you to follow him on Instagram. He shares his own creations daily, but above all, he highlights the work of others.
See you soon, my friend!
The Blase House Questionnaire
How would you define your style/work in 2 or 3 words?
I make comics—and more broadly, I draw.
Describe an emotion you love to feel while working.
Desire. Serenity. (Yeah, I know… total opposites.)
Which artist (living or dead) would you invite to dinner?
If it’s to eat: you—because you really know how to cook.
If it’s to talk: the list is long. I’m pretty into American comic book authors, for example.
Is there a work of art that once obsessed you but no longer has an impact? Or, on the contrary, one that opened a mental door for you?
In comics, RanXerox by Liberatore and Tamburini was a major influence.
It’s faded a bit since 1982, but it still holds sentimental value.
What material or technique do you dream of mastering perfectly?
Oil painting. Or maybe drawing—above all.
Do you have a creative ritual?
Nope.
Is there a style of music that accompanies your moments of creation?
Pretty much all music—I’ve got a flexible ear.
From classical to minimalist electro. What matters is that it supports the trance you need.
Do you ever get stuck in doubt? If so, what do you do in those moments?
A little, every day.
I keep going, I mess up, until I get it right again. (Sometimes it takes days.)
Do you have a vice that, paradoxically, helps your work?
Maybe a taste for stress.
What’s the best and worst artistic advice you’ve ever received?
Best: “Do it again.”
Worst: “Give it up.”
Tell me about a happy accident in your work that brought you joy.
Random encounters that led to lasting relationships—friendly or more.
Like this totally random neighbor who showed up at my housewarming, and 10 years later, invites me over and gives me solid advice.
How do you relate to boredom? Do you fear it, or do you fantasize about it?
My job—and my passion—is telling stories.
Moments when I could’ve been bored are perfect for that.
Is there a mindset that’s essential for balancing work and a relationship?
A real question—with no real answer.
In 10 years, where are you, and what are you doing?
In 10 years, I’m sipping a cocktail in the sun (Madeira?) thinking back on the struggle—before getting back to work!